I am so excited to feature this beautiful book today on my blog! It definitley makes me want to go to a villa in Italy! Check out an excerpt below!Thank you so much to Mira Books for having me on the blog tour!
It was just a little white lie. A way to kick-start her freedom.
And Kim Weston was now officially a runaway.
She couldn’t help but laugh at the idea as she stared out the window of the airplane into the abyss around her. Thirty years old—an adult—and here she was, running away from home.
She’d boarded a flight from JFK earlier and watched as the sky turned from pale blue to black. They were already six hours into a nine-hour journey and she was tired but couldn’t sleep.
There wasn’t a star to be seen, no way to discriminate the ocean below from the sky above. Nothing but emptiness.
Ironic because it was exactly how Kim felt inside. She had no reason to, or so everyone told her.
She had everything—the luxurious Manhattan apartment,a personal driver to take her wherever she wanted to go, generous expense accounts at all the best Fifth Avenue stores, and a black Amex to service every last one of her spending needs.
She and her friends were the crème de la crème of New York’s Upper East Side society set and partied with celebrities and VIPs alike. By all accounts she had the quintessential dream life.
So why was she running away?
She could still hear her parents’ voices in her head and her own guilt in her heart as she sat quietly nursing a vodka and orange juice.
Most of the cabin’s passengers were asleep, and the crew was moving around less frequently, but Kim’s mind simply wouldn’t quit.
For once, she wasn’t playing the role she’d been allotted. If she was expected to assume her part in the Weston family script for the rest of her life, then she needed a chance to play the rebel, even if only briefly.
Everything was planned to ensure that her parents wouldn’t find her—at least not for a little while.
Her destination (and certainly choice of accommodation) wasn’t somewhere Peter or Gloria would ever think to look for her, since it was so far removed from the kind of places the Westons usually frequented.
No five-star luxury hotel suite awaiting Kim when she arrived. Instead she was staying at a tumbledown villa she’d found on the internet, where she’d be sharing living space and possibly even a room with other guests. She shuddered involuntarily.
Kim was roughing it, in as much as someone like her could. The house had no on-site staff, apparently there was someone who’d come by daily to tidy and meet and greet, but that was it. No concierge, butler, in-house chef—nothing.
For once, she was going to have to cater for herself—in more ways than one.
That gave her some sense of unease; she wasn’t exactly Martha Stewart, which was why she also planned to maybe enlist herself in an Italian cooking class, as suggested by the booking site she’d used. Failing that, she’d just survive on pizza and pasta. It was Italy after all.
And she could afford that much, for a little while at least.
It was early afternoon when the flight landed at Naples airport and the transfer service she’d arranged (her final luxury—she wasn’t going to rough it entirely after a transatlantic economy flight) picked her up outside the terminal.
“Signorina Weston?” the driver holding the sign with her name on it queried as she approached.
“Buongiorno. Right this way,” the young Italian man instructed as he directed Kim to a waiting black Mercedes.
She stepped outside of the terminal, her long slender legs clad in white jeans, which complemented her hot pink poncho. Sunglasses protected her eyes from the bright sun but she still held a hand to her forehead to shield them as she stared up at an almost cloudless Italian blue sky.
“I am Alfeo,” the driver introduced himself as they walked, taking her luggage along with him. “How was your flight?”
“Long,” she answered. She was bone-tired, a little cranky and not particularly in the mood for small talk.
Alfeo nodded and opened the car door for her. “The journey will take just over an hour and a half depending on traffic. But we can stop along the way if you need anything.”
“That’s fine,” Kim replied as she slid into the back seat and tipped her head against the leather headrest. She closed her eyes, suddenly spent and exhausted from worrying now that she was here.
She was really doing this…
It seemed as if only a few minutes had passed when she was woken by Alfeo’s voice announcing arrival at their destination.
Kim blinked several times as she tried to gather her bearings, then lowered the window to look out at her surroundings. They were parked down some kind of laneway, and up ahead she could make out a grubby wall of peach-colored plaster, and a paint-chipped wooden door—the only interruption on an otherwise blank facade.
Unimpressed, she regarded the weather-worn door and its tarnished brass ring, and hid a frown as she dragged manicured nails through her tousled blonde mane, pulling her hair partially over her shoulder.
Her heart fell. This place looked like a complete dump. She sincerely hoped the inside was a helluva lot better.
“This is Villa Dolce Vita, right?” she asked, casting a fatigued gaze at Alfeo as she stepped out onto the dusty gravel pathway.
“Sì. Villa Dolce Vita.”
“I’ll need your number,” she stated as she walked toward him with her phone in hand. “Just in case.”
Alfeo complied, assuring her that he’d be available whenever she needed, the suggestive grin on his face indicating he meant for more than just transportation. Were Italian men really such unabashed flirts?
“Can you maybe just help get my cases inside before you go?”
“Of course.” He duly took her suitcases out of the boot, while Kim wandered further along the perimeter wall to where a break in the trees gave way to a view of the sea.
Realizing that they were on an elevated site, high above the glittering Gulf of Naples, she glanced to her left to see a group of impossibly beautiful pastel-colored buildings and terra-cotta roofs, clinging and huddled together.
The setup immediately put her in mind of a huge piñata cake: the center of the green and gray mountain cut open to release a tumbling selection of irresistible pastel-colored candy.
Now this is more like it…
Further along down the coast, rock promontories jutted out above diverging bays, beaches and terraces, all presiding over cerulean waters. Hills dotted with lush vineyards, olive trees and citrus groves looked down over the colorful shops, cafés, hotels and historic buildings scattered below.
Sailboats dotted the clear blue waters and, looking down from where she stood, Kim could see snaking wooden steps leading all the way to the rocky shore below.
The whole thing was dizzying in every sense of the word.
By the time she returned to the villa entrance, Alfeo was gone, but the old wooden door had been left ajar.
Kim slipped through into the courtyard area to discover a hidden garden of sorts.
The dark pea gravel of outside gave way to a lighter-colored, more decorative kind, and she noticed heavy stone planters dotted throughout the small courtyard area, housing rows of mature lemon and olive trees.
Coupled with vibrant magenta bougainvillea tumbling down the edge of an old stone building—evidently the villa itself—the garden was a riot of color and, against the azure sky and glittering water on the bay, made for a picture-perfect entrance.
Citrus scent from the lemon trees followed as Kim walked to the front of the property, her senses now well and truly awakened.
The villa was of the same blotchy peach plaster as the out. The side wall, a pretty two-story house with a terra-cotta roof and rustic windows trimmed with dull cast-iron railings that had long since seen better days.
Turning to check out the view from the front of the house, Kim noticed a terraced area beneath the gardens, accessible by four or five stone steps leading down to a small pool bordering the edge of the entire site overlooking the panoramic bay.
Without the ornate bougainvillea-laden perimeter railings holding everything together, it was as if the entire site could easily slip right off the edge and plummet down to the rocky shore below.
OK, so this place was old, but surprisingly charming, and while Kim didn’t have high hopes for the quality of accommodation, given the crumbling exteriors, she already felt a weird sense of calm at just being here.
It was as if Villa Dolce Vita had already cast a spell on her.
A chipped wooden front door with a ringed black-painted knocker at its center stood wide open, and Kim hesitated momentarily as she listened for noise from inside.
She wasn’t sure if there were other guests staying there already or if anyone was even expecting her, but there was no going back now.
She took a deep breath. She was really here. Doing her own thing, finding her own path.
MELISSA HILL lives in south Dublin with her husband and daughter. A USA TODAY and international #1 bestseller, she is the author of 13 novels, including The Gift of a Charm and A Gift From Tiffany’s. The Gift of a Charm was a USA TODAY bestseller. Hailed “the queen of the big plot twist,” she combines all the warmth and humor of contemporary women’s fiction with plots that keep readers guessing from page to page. Melissa also cowrites forensic thrillers with her husband, Kevin, under the pseudonym Casey Hill, featuring crime scene investigator Reilly Steel. For more information, visit www.caseyhillbooks.com.
Just a quick post to let y’all know about this awesome opportunity for all you writers out there! This will be a FREE live training course led by one of the Hope*Writers founders! Plus, during the webinar, you will have a chance to grab ‘The Writers Income Guide’ available to only those who attend the webinar! Check out the details below!And click HERE to sign up!
I tried my hand at another inspo board. If you are looking for something dark and horror related, I would definitely read this! It is written beautifully with a unique style. However, I will give you some warnings; if you at all are triggered by self harm or suicide, this is not for you. BUT if you are looking for a dark atmospheric read, read away!
“Can I ask why you asked me to dance with you? Or is that information confidential?” His pale eyes sparkled as they searched her face. “Why, because I haven’t noticed you participating in any of the dances this evening,” was Melody’s excuse. She tried to keep from looking into his face, so she gazed beyond the ballroom to the gardens outside. The sun cast rays of warm light in through the windows, bathing the ballroom in orange light. “You are a terrible liar, my lady.” He drew her attention back to him. He twirled her in a circle then brought her back to himself. “What is the real reason?” Melody bit her lip as if pained. She looked back over her shoulder and found the prince standing alone near the edge of the dance floor. “Ah. Avoiding the prince, are we?” Her gaze snapped back to the stranger. “Sir, that is not the reason-” she started. “You don’t have to make excuses with me, Princess. I saw you talking to him right before you asked me to dance.” Melody watched her partner with eyes narrowed as they moved in beat with the slow song. “Were you watching me?” He considered her a moment before answering. “Only a little,” he admitted with a smile. “You’re quite intriguing. First you run away from a prince. Then I find you hiding out in the gardens, and you run away from me. Sometime later, to avoid dancing with the prince, you ask a perfect stranger to dance with you.” He quietly chuckled, and Melody’s cheeks heated as she stared at the buttons of his black shirt. “What is your name, then?” she asked to cover up her embarrassment. He only looked at her, and she tried again, “You said I asked a perfect stranger to dance. What, then, is your name, sir?”
I love happily ever after. Really, really love happily ever after. My passion is writing and creating stories that bring a smile to the face of the person reading it. If my book makes you smile at least once during the story, I consider it a success.
I live in a small town in Missouri USA. If I’m not sitting at my computer, putting off doing any sort of real work, you can find me in my kitchen baking cookies, spending time with my family, or binge-watching a newly discovered television series.
I publish books both on Wattpad and on Amazon Kindle. Check me out on both sites for different collections of fun stories that I hope bring a smile to your day.
So, I randomly, as of yesterday, decided to join in my first ever Magical Readathon: O.W.L.s! To find out more information click HERE!
I was a bit overwhelmed BUT it so cool how in depth everything is! You can even enter your reading as points for your Hogwarts house! I don’t read as much as everyone else it seems like, so I chose a relative easy path as a Magizoologist, because it’s only 4 books to read this month.
And then here are all of the prompts!
Here is what I am choosing:
Care of Magical Creatures – Hippogriffs: Creature with a beak on the cover
Book choice – Crescent City: House of Earth and Blood (I’m counting this because there is in fact a crow on the cover.) by Sarah J. Maas
Charms – Lumos Maxima: White Cover
Book choice – A Conjuring of Light by V. E. Schwab
Herbology – Mimbulus mimbletonia: title starts with an ‘M’
Book choice – A Murderous Relation by Deanna Raybourn
Potions – Shrinking Solution: Book under 150 pages
Book choice – Monstress Vol. II: The Blood
And for additional training and courses:
Dragon Tamer – Read a book with dragons
Book choice – House of Dragons by Jessica Cluess
Let me know if y’all are joining in and what house you are participating under!
I am so excited to be featuring this lovely book on my blog today! Plus there is an excerpt AND an author Q&A!Thank you so much to Harlequin for having me on the tour!
Olivia shoved her hands into her pockets against the damp Seattle afternoon. Nothing would take the chill from her bones, though. She knew that. Even five days of sick leave, huddling in her bed and mindlessly bingeing on cooking shows hadn’t done anything but make her crave cake.
She couldn’t hide away in her apartment forever. Eventually she was going to have to reenter life and go back to work, which was why she stood outside this coffee shop in a typical spring drizzle with her heart pounding and her stomach in knots.
This was stupid. The odds of anything like that happening to her again were ridiculously small. She couldn’t let one man battling mental illness and drug abuse control the rest of her life.
She could do this.
She reached out to pull the door open, but before she could make contact with the metal handle, her cell phone chimed from her pocket.
She knew instantly from the ringtone it was her best friend from high school, who still lived in Cape Sanctuary with her three children.
Talking to Melody was more important than testing her resolve by going into the Kozy Kitchen right now, she told herself. She answered the call, already heading back across the street to her own apartment.
“Mel,” she answered, her voice slightly breathless from the adrenaline still pumping through her and from the stairs she was racing up two at a time. “I’m so glad you called.”
Glad didn’t come close to covering the extent of her relief. She really hadn’t wanted to go into that coffee shop. Not yet. Why should she make herself? She had coffee at home and could have groceries delivered when she needed them.
“You know why I’m calling, then?” Melody asked, a strange note in her voice.
“I know it’s amazing to hear from you. You’ve been on my mind.”
She was not only a coward but a lousy friend. She hadn’t checked in with Melody in a few weeks, despite knowing her friend was going through a life upheaval far worse than witnessing an attack on someone else.
As she unlocked her apartment, the cutest rescue dog in the world, a tiny, fluffy cross between a Chihuahua and a miniature poodle, gyrated with joy at the sight of her.
Yet another reason she didn’t have to leave. If she needed love and attention, she only had to call her dog and Otis would come running.
She scooped him up and let him lick her face, already feeling some of her anxiety calm.
“I was thinking how great it would be if you and the boys could come up and stay with me for a few days when school gets out for the summer,” she said now to Melody. “We could take the boys to the Space Needle, maybe hop the ferry up to the San Juans and go whale watching. They would love it. What do you think?”
The words seemed to be spilling out of her, too fast. She was babbling, a weird combination of relief that she hadn’t had to face that coffee shop and guilt that she had been wrapped up so tightly with her own life that she hadn’t reached out to a friend in need.
“My apartment isn’t very big,” she went on without waiting for an answer. “But I have an extra bedroom and can pick up some air beds for the boys. They’ve got some really comfortable ones these days. I’ve got a friend who says she stayed on one at her sister’s house in Tacoma and slept better than she does on her regular mattress. I’ve still got my car, though I hardly drive it in the city, and the boys would love to meet Otis. Maybe we could even drive to Olympic National Park, if you wanted.”
“Liv. Stop.” Melody cut her off. “Though that all sounds amazing and I’m sure the boys would love it, we can talk about that later. You have no idea why I called, do you?”
“I… Why did you call?”
Melody was silent for a few seconds. “I’m afraid there’s been an accident,” she finally said.
The breath ran out of Olivia like somebody had popped one of those air mattresses with a bread knife.
“Oh no. Is it one of your boys?” Oh please, she prayed. Don’t let it be one of the boys.
Melody had been through enough over the past three months, since her jerkhole husband ran off with one of his high school students.
“No, honey. It’s not my family. It’s yours.”
Her words seemed to come from far away and it took a long time for them to pierce through.
Fear rushed back in, swamping her like a fast-moving tide. She sank blindly onto the sofa.
“Is it Caitlin?”
“It’s not your niece. Stop throwing out guesses and just let me tell you. It’s your mom. Before you freak out, let me just say, first of all, she’s okay, from what I understand. I don’t have all the details but I do know she’s in the hospital, but she’s okay. It could have been much worse.”
Her mom. Olivia tried to picture Juliet lying in a hospital bed and couldn’t quite do it. Juliet Harper didn’t have time to be in a hospital bed. She was always hurrying somewhere, either next door to Sea Glass Cottage to the garden center the Harper family had run in Cape Sanctuary for generations or down the hill to town to help a friend or to one of Caitlin’s school events.
“She had a bad fall and suffered a concussion and I think some broken bones.”
Olivia’s stomach twisted. A concussion. Broken bones. Oh man. “Fell where? Off one of the cliffs near the garden center?”
“I’m sorry. I don’t know all the details yet. This just happened this morning and it’s still early for the gossip to make all the rounds around town. I assumed you already knew. That Caitlin or someone would have called you. I was only checking in to see how I can help.”
This morning. She glanced at her watch. Her mother had been in an accident hours earlier and Olivia was just finding out about it now, in late afternoon.
Someone should have told her—if not Juliet herself, then, as Melody said, at least Caitlin.
Given their recent history, it wasn’t particularly surprising that her niece, raised by Olivia’s mother since she was a baby, hadn’t bothered to call. Olivia wasn’t Caitlin’s favorite person right now. These days, during Olivia’s regular video chats with her mother, Caitlin never popped in to say hi anymore. At fifteen, Caitlin was abrasive and moody and didn’t seem to like Olivia much, for reasons she didn’t quite understand.
“I’m sure someone tried to reach me but my phone has been having trouble,” she lied. Her phone never had trouble. She made sure it was always in working order, since so much of her freelance business depended on her clients being able to reach her and on her being able to Tweet or post something on the fly.
“I’m glad I checked in, then.”
“Same here. Thank you.”
Several bones broken and a long recovery. Oh dear. That would be tough on Juliet, especially this time of year when the garden center always saw peak business.
“Thank you for telling me. Is she in the hospital there in Cape Sanctuary or was she taken to one of the bigger cities?”
“I’m not sure. I can call around for you, if you want.”
“I’ll find out. You have enough to worry about.”
“Keep me posted. I’m worried about her. She’s a pretty great lady, that mom of yours.”
Olivia shifted, uncomfortable as she always was when others spoke about her mother to her. Everyone loved her, with good reason. Juliet was warm, gracious, kind to just about everyone in their beachside community of Cape Sanctuary.
Which made Olivia’s own awkward, tangled relationship with her mother even harder to comprehend.
“Will you be able to come home for a few days?”
Home. How could she go home when she couldn’t even walk into the coffee shop across the street?
“I don’t know. I’ll have to see what’s going on there.”
How could she possibly travel all the way to Northern California? A complicated mix of emotions seemed to lodge like a tangled ball of yarn in her chest whenever she thought about her hometown, which she loved and hated in equal measures.
The town held so much guilt and pain and sorrow. Her father was buried there and so was her sister. Each room in Sea Glass Cottage stirred like the swirl of dust motes with memories of happier times.
Olivia hadn’t been back in more than a year. She kept meaning to make a trip but something else always seemed to come up. She usually went for the holidays at least, but the previous year she’d backed out of even that after work obligations kept her in Seattle until Christmas Eve and a storm had made last-minute travel difficult. She had spent the holiday with friends instead of with her mother and Caitlin and had felt guilty that she had enjoyed it much more than the previous few when she had gone home.
She couldn’t avoid it now, though. A trip back to Cape Sanctuary was long overdue, especially if her mother needed her.
What made you write this story? (The “story behind the story”)
That’s a very long “story behind the story”! My husband of 34 years was adopted at birth to a wonderful loving famiy and never knew anything about his birth parents. He was never really interested, though I always wondered. He took a DNA test a few years ago before going in for a major surgery, just out of curiosity so our kids could know something about his ethnic heritage, and was astonished a few months later when results from Ancestry.com came in linking him to several close relatives on his maternal side. He wasn’t going to do anything about it but through a very strange sequence of events, he eventually connected with three half-brothers, an aunt and several uncles (including one who has been our neighbor and friend for more than twenty years without either us knowing the connection!). Unfortunately, my husband’s birth mother died several years ago so he never had the chance to meet her but my husband now has a wonderful relationship with his brothers, who have embraced and welcomed him. I have heard of these kind of stories before and after living through the amazing results from a simple DNA test, I wanted to write about someone trying to trace her father. That’s one of the underlying subplots to THE SEA GLASS COTTAGE.
Which character do you most relate to in the story and why?
I love all of them but probably am most drawn to Juliet, who yearns for those she loves to be happy. That’s a universal mom need, I think. Also, she hesitates to lean on others even when she really needs the help because she doesn’t want to be a burden and feels as if her role is to caretake those she loves instead of the other way around. I can definitely relate to this one!
Do you have a place you go to in order to clear your head like Olivia did?
I don’t live by the ocean, unfortunately, but I do live in the mountains of Utah. Ten minutes from my home, I can be in a gorgeous wilderness area where I can walk and think and meditate. We are heading into the most beautiful time of year here, where the mountains turn green with new growth and wildflowers begin to pop out. I can’t wait!
Is this based on a real place?
Cape Sanctuary is kind of an amalgamation of some of my favorite spots along the Pacific coast, a mix of Carmel, California and Cannon Beach, Oregon. It’s loosely based near Trinidad, California. I only wish it really existed!
Tell us a little bit about yourself. How did you get into writing?
I started out in journalism in high school and discovered I loved telling stories. After graduating in journalism, I spent ten years at a daily newspaper as a reporter and editor but dreamed of writing a romance novel some day. When I was on maternity leave with our oldest (who is now 30!), I started my first book. It took me about 5 years of tinkering with it, dealing with rejections, rewriting and starting something new before I sold my first two books to Bantam Loveswept in 1995. I’ve been writing full time since 1997 when our second child was born. The Sea Glass Cottage is my 63rd book. I get a little overwhelmed when I think about all those words!
What theme or message do you hope readers will take away from your book?
Like all my books, the core story is that we’re all here to learn how to take care of each other. All my books have the underlying theme that our lives become better and more fulfilling when we reach out to help and lift someone else. The world can sometimes feel ugly and angry. I feel like there’s an increasing need for us all to focus on trying a little harder to be kind. Life is filled with pain and trials but it can also be beautiful and joyful at the same time.
What drew you into this particular genre?
I still consider all my books romance novels at heart because that is the genre I have adored since I was eleven years old. My books will always have some kind of love story in them! But my hardcovers also have provided a wonderful chance to explore deeper relationship issues: Healing a rift between a mother and a daughter, finding peace when a relationship with a sister ended in tragedy, finding common ground between an aunt and a niece.
If you could sit down with any character in your book, what would you ask them and why?
I would probably ask Juliet why she kept so many secrets from those who might have been able to help her deal better with the challenges she faces.
What social media site has been the most helpful in developing your readership?
Right new I think it’s a close tie between Facebook and Instagram, probably weighted a little more to Facebook. I don’t use Twitter much.
What advice would you give to aspiring or just starting authors out there?
Focus on the emotions you want your readers to feel in your stories. Readers love finding authors who can carry them away with their storytelling, making them feel what the characters feel. They want that emotional ride! Find the kind of stories you love to tell, focus on your strengths and constantly keep stretching yourself in new directions.
What does the future hold in store for you? Any new books/projects on the horizon?
Yes! Always ☺ The last book in my Haven Point series, SUMMER AT LAKE HAVEN, comes out June 23. This is Samantha Fremont’s book, for those who have read others in the series. It also includes a surprise novella. Next up will be a standalone Christmas book in an all-new community, Silver Bells, Colorado. CHRISTMAS AT HOLIDAY HOUSE will be out in late September. And I recently spent three days at a California beach house with writer friends plotting my next hardcover and can’t wait to start writing it! THE PATH TO SUNSHINE COVE (tentative title!) will also be set in Cape Sanctuary and will be out April 2021.
Where is your favorite place to write?
I am the luckiest of writers because I have my own office. Several years ago, we made the impulsive decision to buy the house adjacent to ours. It was rundown and unsightly and kind of blighted the view from our backyard. Our plan was to fix it up to increase our own property value and then rent it out but after the renovation, I loved it too much to rent it out so I took it over. I have loved it! With a special needs son who has multiple disabilities and requires total care, life at my house is at times chaotic and messy but I always have such a sense of peace and calm when I go to my office. And I love that I can walk through the backyard in my jammies to go to work.
What do you like best about your new book?
I love the peace and healing that came to the characters from being honest with their loved ones and opening their hearts to second chances.
Do you have a favorite character in The Sea Glass Cottage?
This is a hard question because all my characters become cherished friends when I’m writing a book and I love them all but I really adore Henry. He is just an amazing hero for Juliet ☺
What inspired you to become a writer?
I have been a voracious reader all my life and have loved romance novels since I used to steal them out of my mom’s room when I was still a preadolescent! I always used to tell stories to my friends, usually involving our latest celebrity crushes. I didn’t know I was destined to become a writer at the time but when I look back, I see all the things that set me on the path. I actually wanted to be an actress and was very involved in drama in high school, including performing in a repertory theater company, but my mom persuaded me to take a journalism class my junior year and I fell in love with telling stories. Even as I went into journalism through college and my subsequent career as a reporter and editor, I dreamed of writing a romance novel. I never imagined some day I could say I’ve written sixty-something of them!
New York Times bestselling author RaeAnne Thayne finds inspiration in the beautiful northern Utah mountains where she lives with her family. Her books have won numerous honors, including six RITA Award nominations from Romance Writers of America and Career Achievement and Romance Pioneer awards from RT Book Reviews. She loves to hear from readers and can be reached through her website at www.raeannethayne.com.
I am so excited to feature and give y’all an excerpt of this gorgeous book! It sounds so good! I love books about secret societies and super powers! How cool! Plus it is written by two indie authors! I love supporting indie authors!
A strange smile slowly comes across his sallow face, like he’s glad Emeral chose to not go with him or run, yet sorry for her at the same time.
“I didn’t say my name, but that’s not really the name you’re looking for, now is it? Think about it deep down, you already know. Probably your biggest feat coming to life. I am an operative for an organization known as the Arcane. They specialize in extracting people with your skill set from society. We have a special type of appreciation for your ability, as you probably know by now.”
The feat Emerald pushed aside for a moment find its place, and her confidence is melting away. The Arcane. They know, and they’ve come for me, she thinks. Somewhere in a corner of her mind, she reminds herself that she has prepared for this. She always knew somewhere inside her that this was a possibility, and that’s why she started the defensive fighting classes. This is what she was preparing for. She can do this.
While working on this novel, Alyssa graduated with a bachelor’s in Psychology and went on to get a master’s in Marriage and Family Therapy. She currently lives in New Mexico with her husband, Jared, and their newest addition, daughter, Zoey.
Alongside a career in nutrition and fitness, Ann spends her days chasing three little girls around a cattle ranch in Northeastern New Mexico with her husband, Casey. What started as a fun project for sisters-in-law turned into a co-author match mad in heaven! Ann and Alyssa are thrilled to present their first novel to you, the readers.
This book sounds so good, y’all! I can’t wait to read it! Let’s spread the love, what are some of your favorite Indie books?
I am so excited to feature and post an excerpt of this gorgeous book! I am drooling over this cover! It sounds absolutely magical and I can’t wait to read it!
On the third day of the convocation, two of the Slonimi scouts killed a calf, and the herbalist’s boy wept because he’d watched the calf being born and grown to love it. His mother stroked his hair and promised he would forget by the time the feast came, the following night. He told her he would never forget. She said, “Just wait.”
He spent all of the next day playing with the children from the other caravan; three days before, they’d all been strangers, but Slonimi children were used to making friends quickly. The group the boy and his mother traveled with had come across the desert to the south, and they found the cool air of the rocky plain a relief from the heat. The others had come from the grassy plains farther west, and were used to milder weather. While the adults traded news and maps and equipment, the children ran wild. Only one boy, from the other caravan, didn’t run or play: a pale boy, with fine features, who followed by habit a few feet behind one of the older women from the other caravan. “Derie’s apprentice,” the other children told him, and shrugged, as if there was nothing more to say. The older woman was the other group’s best Worker, with dark hair going to grizzle and gimlet eyes. Every time she appeared the herbalist suddenly remembered an herb her son needed to help her prepare, or something in their wagon that needed cleaning. The boy was observant, and clever, and it didn’t take him long to figure out that his mother was trying to keep him away from the older woman: she, who had always demanded he face everything head-on, who had no patience for what she called squeamishness and megrims.
After a hard day of play over the rocks and dry, grayish grass, the boy was starving. A cold wind blew down over the rocky plain from the never-melting snow that topped the high peaks of the Barriers to the east; the bonfire was warm. The meat smelled good. The boy had not forgotten the calf but when his mother brought him meat and roasted potatoes and soft pan bread on a plate, he did not think of him. Gerta—the head driver of the boy’s caravan—had spent the last three days with the other head driver, poring over bloodline records to figure out who between their two groups might be well matched for breeding, and as soon as everybody had a plate of food in front of them they announced the results. The adults and older teenagers seemed to find this all fascinating. The herbalist’s boy was nine years old and he didn’t understand the fuss. He knew how it went: the matched pairs would travel together until a child was on the way, and then most likely never see each other again. Sometimes they liked each other, sometimes they didn’t. That, his mother had told him, was what brandy was for.
The Slonimi caravans kept to well-defined territories, and any time two caravans met there was feasting and trading and music and matching, but this was no ordinary meeting, and both sides knew it. After everyone had eaten their fill, a few bottles were passed. Someone had a set of pipes and someone else had a sitar, but after a song or two, nobody wanted any more music. Gerta—who was older than the other driver—stood up. She was tall and strong, with ropy, muscular limbs. “Well,” she said, “let’s see them.”
In the back, the herbalist slid an arm around her son. He squirmed under the attention but bore it.
From opposite sides of the fire, a young man and a young woman were produced. The young man, Tobin, had been traveling with Gerta’s people for years. He was smart but not unkind, but the herbalist’s son thought him aloof. With good reason, maybe; Tobin’s power was so strong that being near him made the hair on the back of the boy’s neck stand up. Unlike all the other Workers—who were always champing at the bit to get a chance to show off—Tobin was secretive about his skills. He shared a wagon with Tash, Gerta’s best Worker, even though the two men didn’t seem particularly friendly with each other. More than once the boy had glimpsed their lantern burning late into the night, long after the main fire was embers.
The young woman had come across the plains with the others. The boy had seen her a few times; she was small, round, and pleasant-enough looking. She didn’t strike the boy as particularly remarkable. But when she came forward, the other caravan’s best Worker—the woman named Derie—came with her. Tash stood up when Tobin did, and when they all stood in front of Gerta, the caravan driver looked from one of them to the other. “Tash and Derie,” she said, “you’re sure?”
“Already decided, and by smarter heads than yours,” the gimlet-eyed woman snapped.
Tash, who wasn’t much of a talker, merely said, “Sure.”
Gerta looked back at the couple. For couple they were; the boy could see the strings tied round each wrist, to show they’d already been matched. “Hard to believe,” she said. “But I know it’s true. I can feel it down my spine. Quite a legacy you two carry; five generations’ worth, ever since mad old Martin bound up the power in the world. Five generations of working and planning and plotting and hoping; that’s the legacy you two carry.” The corner of her mouth twitched slightly. “No pressure.”
A faint ripple of mirth ran through the listeners around the fire. “Nothing to joke about, Gerta,” Derie said, lofty and hard, and Gerta nodded.
“I know it. They just seem so damn young, that’s all.” The driver sighed and shook her head. “Well, it’s a momentous occasion. We’ve come here to see the two of you off, and we send with you the hopes of all the Slonimi, all the Workers of all of our lines, back to the great John Slonim himself, whose plan this was. His blood runs in both of you. It’s strong and good and when we put it up against what’s left of Martin’s, we’re bound to prevail, and the world will be free.”
“What’ll we do with ourselves then, Gert?” someone called out from the darkness, and this time the laughter was a full burst, loud and relieved.
Gerta smiled. “Teach the rest of humanity how to use the power, that’s what we’ll do. Except you, Fausto. You can clean up after the horses.”
More laughter. Gerta let it run out, and then turned to the girl.
“Maia,” she said, serious once more. “I know Derie’s been drilling this into you since you were knee-high, but once you’re carrying, the clock is ticking. Got to be inside, at the end.”
“I know,” Maia said.
Gerta scanned the crowd. “Caterina? Cat, where are you?”
Next to the boy, the herbalist cleared her throat. “Here, Gerta.”
Gerta found her, nodded, and turned back to Maia. “Our Cat’s the best healer the Slonimi have. Go see her before you set out. If you’ve caught already, she’ll know. If you haven’t, she’ll know how to help.”
“It’s only been three days,” Tobin said, sounding slighted.
“Nothing against you, Tobe,” Gerta said. “Nature does what it will. Sometimes it takes a while.”
“Not this time,” Maia said calmly.
A murmur ran through the crowd. Derie sat up bolt-straight, her lips pressed together. “You think so?” Gerta said, matching Maia’s tone—although nobody was calm, even the boy could feel the sudden excited tension around the bonfire.
“I know so,” Maia said, laying a hand on her stomach. “I can feel her.”
The tension exploded in a mighty cheer. Instantly, Tobin wiped the sulk off his face and replaced it with pride. The boy leaned into his mother and whispered, under the roar, “Isn’t it too soon to tell?”
“For most women, far too soon, by a good ten days. For Maia?” Caterina sounded as if she were talking to herself, as much as to her son. The boy felt her arm tighten around him. “If she says there’s a baby, there’s a baby.”
After that the adults got drunk. Maia and Tobin slipped away early. Caterina knew a scout from the other group, a man named Sadao, and watching the two of them dancing together, the boy decided to make himself scarce. Tash would have an empty bunk, now that Tobin was gone, and he never brought women home. He’d probably share. If not, there would be a bed somewhere. There always was.
In the morning, the boy found Caterina by the fire, only slightly bleary, and brewing a kettle of strong-smelling tea. Her best hangover cure, she told her son. He took out his notebook and asked what was in it. Ginger, she told him, and willowbark, and a few other things; he wrote them all down carefully. Labeled the page. Caterina’s Hangover Cure.
Then he looked up to find the old woman from the bonfire, Derie, listening with shrewd, narrow eyes. Behind her hovered her apprentice, the pale boy, who this morning had a bruised cheek. “Charles, go fetch my satchel,” she said to him, and he scurried away. To Caterina, Derie said, “Your boy’s conscientious.”
“He learns quickly,” Caterina said, and maybe she just hadn’t had enough hangover tea yet, but the boy thought she sounded wary.
“And fair skinned,” Derie said. “Who’s his father?”
Derie nodded. “Travels with Afia’s caravan, doesn’t he? Solid man.”
Caterina shrugged. The boy had only met his father a few times. He knew Caterina found Jasper boring.
“Healer’s a good trade. Everywhere needs healers.” Derie paused. “A healer could find his way in anywhere, I’d say. And with that skin—”
The boy noticed Gerta nearby, listening. Her own skin was black as obsidian. “Say what you’re thinking, Derie,” the driver said.
“Highfall,” the old woman said, and immediately, Caterina said, “No.”
“It’d be a great honor for him, Cat,” Gerta said. The boy thought he detected a hint of reluctance in Gerta’s voice.
“Has he done his first Work yet?” Derie said.
Caterina’s lips pressed together. “Not yet.”
Charles, the bruised boy, reappeared with Derie’s satchel.
“We’ll soon change that,” the old woman said, taking the satchel without a word and rooting through until she found a small leather case. Inside was a small knife, silver-colored but without the sheen of real silver.
The boy noticed his own heartbeat, hard hollow thuds in his chest. He glanced at his mother. She looked unhappy, her brow furrowed. But she said nothing.
“Come here, boy,” Derie said.
He sneaked another look at his mother, who still said nothing, and went to stand next to the woman. “Give me your arm,” she said, and he did. She held his wrist with a hand that was both soft and hard at the same time. Her eyes were the most terrifying thing he’d ever seen.
“It’s polite to ask permission before you do this,” she told him. “Not always possible, but polite. I need to see what’s in you, so if you say no, I’ll probably still cut you, but—do I have your permission?”
Behind Derie, Gerta nodded. The bruised boy watched curiously.
“Yes,” the boy said.
“Good,” Derie said. She made a quick, confident cut in the ball of her thumb, made an identical cut in his small hand, quickly drew their two sigils on her skin in the blood, and pressed the cuts together.
The world unfolded. But unfolded was too neat a word, too tidy. This was like when he’d gone wading in the western sea and been knocked off his feet, snatched underwater, tossed in a maelstrom of sand and sun and green water and foam—but this time it wasn’t merely sand and sun and water and foam that swirled around him, it was everything. All of existence, all that had ever been, all that would ever be. His mother was there, bright and hot as the bonfire the night before—not her face or her voice but the Caterina of her, her very essence rendered into flame and warmth.
But most of what he felt was Derie. Derie, immense and powerful and fierce: Derie, reaching into him, unfolding him as surely as she’d unfolded the world. And this was neat and tidy, methodical, almost cold. She unpacked him like a trunk, explored him like a new village. She sought out his secret corners and dark places. When he felt her approval, he thrilled. When he felt her contempt, he trembled. And everywhere she went she left a trace of herself behind like a scent, like the chalk marks the Slonimi sometimes left for each other. Her sigil was hard-edged, multi-cornered. It was everywhere. There was no part of him where it wasn’t.
Then it was over, and he was kneeling by the campfire, throwing up. Caterina was next to him, making soothing noises as she wrapped a cloth around his hand. He leaned against her, weak and grateful.
“It’s all right, my love,” she whispered in his ear, and the nervousness was gone. Now she sounded proud, and sad, and as if she might be crying. “You did well.”
He closed his eyes and saw, on the inside of his eyelids, the woman’s hard, angular sigil, burning like a horse brand.
“Don’t coddle him,” Derie said, and her voice reached through him, back into the places inside him where she’d left her mark. Caterina’s arm dropped away. He forced himself to open his eyes and stand up. His entire body hurt. Derie was watching him, calculating but—yes—pleased. “Well, boy,” she said. “You’ll never be anyone’s best Worker, but you’re malleable, and you’ve got the right look. There’s enough power in you to be of use, once you’re taught to use it. You want to learn?”
“Yes,” he said, without hesitating.
“Good,” she said. “Then you’re my apprentice now, as much as your mother’s. You’ll still learn herbs from your mother, so we’ll join our wagon to your group. But don’t expect the kisses and cuddles from me you get from her. For me, you’ll work hard and you’ll learn hard and maybe someday you’ll be worthy of the knowledge I’ll pass on to you. Say, Yes, Derie.”
“Yes, Derie,” he said.
“You’ve got a lot to learn,” she said. “Go with Charles. He’ll show you where you sleep.”
He hesitated, looked at his mother, because it hadn’t occurred to him that he would be leaving her. Suddenly, swiftly, Derie kicked hard at his leg. He yelped and jumped out of the way. Behind her he saw Charles—he of the bruised face—wince, unsurprised but not unsympathetic.
“Don’t ever make me ask you anything twice,” she said.
Kelly Braffet is the author of the novels Save Yourself, Last Seen Leaving and Josie & Jack. Her writing has been published in The Fairy Tale Review, Post Road, and several anthologies. She attended Sarah Lawrence College and received her MFA in Creative Writing at Columbia University. She currently lives in upstate New York with her husband, the author Owen King. A lifelong reader of speculative fiction, the idea for The Unwilling originally came to her in college; twenty years later, it’s her first fantasy novel. Visit her at kellybraffet.com.
Hello book lovers! I am excited to be on #teamscarlet this week for #lunareverafter! Fierce Reads has a few really awesome giveaways to celebrate the new paperback release of The Lunar Chronicles! I will post those links down below!
There is a month long celebration for these books and this week we are celebrating Scarlet, my personal favorite girl of the group! Plus, Scarlet and Wolf are my favorite couple! I am completely obsessed with these new covers. Here is the schedule if you are interested:
I am very excited to feature Cast in Wisdom by Michelle Sagara! I am a little behind on the series but I’ve read some of them and LOVE these books. They’re so cool! They would make a great TV show. Check out the Excerpt and Author Q&A below! Thank you to Harper Collins for having me on the tour!
Q&A with Michelle Sagara
Q: Your Chronicles of Elantra series is 15 books deep. How do you keep up with the characters and the plot? What do your notes look like?
A: I have a wiki that is not online, and I attempt to keep it updated as I write. This is not always as easy or tidy as it sounds. The wiki (I use VoodooPad) is easily searchable, but I have to remember to search it, and sometimes I don’t.
I am not a visual person, at all. I’ve mentioned this elsewhere, but I had known my husband for years, and it wasn’t until someone in the store asked what color his eyes were that I realized I didn’t know. Since he’s blond (Finnish on his mother’s side), I assumed that they were blue, and after some thought said, “probably blue”, which caused mild confusion. Had I not known my husband for years? I went home and this time looked and paid attention to what I was seeing: they were blue.
Because eye color had not–obviously–been of great import to me, eye color was the start of my note-keeping. I needed to try to track eye color of characters because I knew I’d forget. And… I still got it wrong between books. T_T.
But… the internals of the characters–what they want, where they’ve come from, the experiences that produced them, I viscerally know. Height? No, not really. Shape? Well, I remember which ones are human, Barrani, Dragon, Tha’alani, etc. Hates? Likes? Yes. Goals as well, if they have them. I remember their place in the hierarchies they occupy, because in some ways, that’s part of their interior makeup.
But sometimes, when in the flow of the words, I… don’t remember to go and check the wiki for the details that, in the moment of writing, aren’t important to me.
My notes, however, and all cross-linked to each other, because of the wiki format.
Q: What kind of research do you do for your books? Is it mandatory (for you) for all your books?
A: It’s very much on a book-by-book basis. At this point in the writing, most of the research is… all the previous books.
I have had books which are more research intensive, but in general I read history in bits and pieces, and file away what I’ve read. It becomes part of the mental soil from which books grow.
So, there are specific books in which I realized, as I was writing, that I didn’t know something that I needed to know, and that stopped the writing dead as I then attempted to find answers to the questions that arose from my own ignorance. I think, as I get older, I realize far more easily when I don’t know something and need to know it.
But I’m what’s generally called a pantser. I don’t have a plan when I start; I usually only have the ending. To know exactly what I don’t know and need to know is therefore not entirely predictable.
…and I admit that once I’ve started building bits and pieces of world, I become increasingly impatient because I just want to dive in and start writing. So sometimes I start, write, and then stop because something a specific character would know, I don’t know. And then I set the book aside and start to look at things.
I think it’s important to know what my characters know, or at least what my viewpoint characters know.
Q: What is it about fantasy that makes you love it above any other genre?
A: This is a harder question to answer, because it’s so specific; it’s entirely Michelle-context. Does that context overlap with other readers? Yes. But not all of it, and not simultaneously.
I’m a product of my culture, my reading culture, and my linguistic limitations; I speak only English, and can only read French with a fifty percent chance of understanding it.
So: books I read and loved when young had fantasy elements, were fantasy. I read a lot of fairy tales. Anything I could get my hands on. Portal fantasy like the Narnia books. Fantasy like McKillip’s Forgotten Beasts of Eld. Fantasy like The Hobbit, and eventually, Lord of the Rings.
I also read a lot of mythology books–at first for kids, and later, translations of plays and sagas that hadn’t been written with children in mind.
I read other books, books without fantasy elements, growing up–but the things that spoke to me most strongly were those. They were the books of my developing reader heart. As I traversed the divide between childhood and not-childhood (does anyone truly ever feel adult on the inside of their own head? I always feel like I’ve gotten better at performing adulthood, but I can’t quite feel it as my base state), I found other fantasy. I also found books like The Left Hand of Darkness.
And all of the reading overlapped with life experiences; everything on the inside of my head, like the soil out of which story grows and evolves.
I loved fantasy as a reader. I loved reading as a reader. When I made the choice to start writing, I wrote what I loved.
Q: If you didn’t write, what would you be doing?
A: I cannot actually answer that question, because I have always written. From about six years of age, on. I didn’t write for other people, and I hid all my writing because I didn’t want to open it up to judgement and criticism.
If you mean, what would I do to make money, I’m not sure. Work, yes–but I’m not sure doing what. I didn’t expect, growing up, that my work would be my life; a job was a necessity, because having a roof over one’s head and food on the table was a necessity. I didn’t therefore pursue a career about which I could be passionate until I started to write for submission.
If I worked for someone else for a living, I would still write, because I always did. Would I write as often or as consistently? Probably not. There were gap months in university in which I didn’t write at all. But I always came back to it because writing words was an act of communication.
How, if I didn’t share them?
Good question. It was an act of communication with myself. It was a way of seeing, more clearly, things I believed or things that moved me, that I had not fully processed or pragmatically understood.
It was also like an exorcism: I put these words down so that they didn’t envelop and overwhelm the rest of my thoughts.
Q: What is the most difficult thing about your writing process?
A: The answer will depend entirely on when the question is asked, sadly.
If, for instance, I’m starting a new book, the answer will be: beginnings. I start a book several times, trying to find the right tone, the right voice. The longest not right attempt at a beginning was thirty-two pages. Most peter out at between four and six.
At the moment, I’m revising, so the answer is: Revision.
Writing, once I have a beginning, is about flow. The story is like a river; I can follow it. I can swim in it. I can drown in it if I don’t remember to come up for air. But the entirety of the book flows from beginning to end. I don’t write out of order. I don’t write to an outline. Part of writing, or the joy of it, is in the discovery. I have an idea of where things are going and how they’ll get there, but the act of writing the book produces a lot – sometimes a LOT – of surprises.
What I know is the end. I understand the world. I don’t know how the characters will reach the end from the beginning, because even when I do know, I’m often wrong.
So, I now have a finished book. I revise it for submission–but I’m aware that I’m too close to it, and that my editor is going to be reading it and pointing out the parts that didn’t work for her.
Here’s the trick to editing: editors read as readers. Their editorial experience gives them the abililty to explain why they had the reader reaction they did. I’m not going to argue about the editor’s reaction to the book. Even if I disagree with it, what am I going to say? No you didn’t react that way? Clearly, they did.
What I can do is examine why the scene didn’t work for the editor. Why it wasn’t compelling enough or believeable enough. If I want to keep that scene in this book, I have work to do.
But. Revision requires–for me–an entirely different frame of mind. It’s more objective; objectivity is required for me to assess structure and structural changes. Subjectivity is required for me – and let me take this moment to stress that all writers have different processes and I’m talking about only mine – to write.
And I can get caught up between the two states, until I can’t tell what’s objective and what’s subjective.
The corollary to that is that the book is a metaphoric river, and it is very difficult to restructure a river. I can’t just cut out one part and move it to another part if the terrain and the riverbed are not substantially the same for the two parts.
Which means I frequently end up having to take a chapter which mostly works and throw the entire thing out and start it again because I can see the seams in the revision if I don’t.
Q: Finally, what do you want readers to leave with after finishing your books?
A: I write books because reading books moved me. A lot. I could get lost in a book, sink into it, follow it, think about it, daydream about it.
Parts of that were intellectual, but the drive to be intellectual about a book I’d read came from a strong emotional response to it. What I want readers to leave with is the emotional response to the story and characters I had, and built, while writing it. I want to open a window into what the book made me feel as the writer.
Writing story is, in some ways, building a vessel that is solid enough to carry the emotional weight of the ending.
“You are such a coward,” Bellusdeo said when they’d reached the relative safety of the street. The roads in and around Helen were sparsely populated at the busiest of times, which this wasn’t. They would soon join roads that were crowded at the slowest of times, but Kaylin was dressed for the office. The Hawk emblazoned on her tabard encouraged people to make space.
Had Bellusdeo hit the streets in her Draconic form, she’d have cleared far more of it—but some of that space would be created by panic, and panic could cause both accidents and the type of traffic congestion that caused the Swords to investigate. Also, it was illegal.
“It’s not cowardice,” Kaylin replied, scanning the windows of the buildings above ground level.
“What would you call it?”
“There’s no point in arguing with them now. Sedarias thinks it’ll be months before this ridiculous command performance occurs. We have months to attempt to talk her out of—”
“Out of expressing any appreciation or gratitude?”
Ugh. “You know they’re grateful. This isn’t about gratitude. It’s about rubbing that gratitude in the faces of the Barrani who attempted to brand you a—an army. An attacking army.”
“I believe the term you want is Flight.” Bellusdeo’s eyes were orange.
Hope squawked at the Dragon. Kaylin didn’t understand what he was saying. Bellusdeo did, but her eyes didn’t get any lighter.
“You know as well as I do,” Kaylin said, emboldened by Hope’s entry into the discussion, “that this is not the time to visit the High Halls. I’m not sure the Emperor has ever been a guest there.”
“We visited the Halls—more or less—when they came under attack, and the Barrani needed our help.”
“From the outside. No one invited the Dragon Court in.”
The chorus of Barrani voices that sometimes offered entirely unasked for opinions on the inside of her head maintained their silence for half a beat. The first person to break that silence was the fieflord. His words were tinged with amusement.
You cannot expect that the cohort would suddenly cease to cause any difficulty, surely?
I’m almost certain that the cohort understands why inviting a Dragon—any Dragon—to attend the High Halls would be a disaster.
For the Dragons?
I believe some of the more conservative High Lords might be surprisingly supportive of such an invitation.
Of course they would. It would be their best shot at killing Bellusdeo. If Bellusdeo died, there would be no new Dragons. No hatchlings.
There’s no way the Emperor would give her permission to attend.
Nightshade concurred. In his position, I would not. But I would be prepared, should I refuse to grant that permission, for all-out war. My brother has grown inordinately fond of her; living with you has made him reckless.
He has known Bellusdeo for even less time than you. He is willing to trust her in a fashion no one older would. And do not cite the Consort, please.
Kaylin hadn’t intended to. The Consort seems to like her.
Kaylin, the Consort “likes” me. But she does not trust me.
“Stop making that face, or it will freeze that way.” Kaylin reddened.
I understand that you are attempting to avoid the Emperor’s ire. I consider this wise on your part. It is not, however, the ire of the Emperor that will be your most significant problem; he will do nothing to harm Bellusdeo.
I know that.
It is the ire of the High Lords. Sedarias is, I believe, genuinely grateful for Bellusdeo’s intervention. She does wish to honor her. But gratitude can be expressed privately—and in most cases, it is. Only rulers feel obliged to make that expression public because the public expression elevates those to whom one feels gratitude. It makes clear to witnesses that the aid tendered—in whatever fashion—is important and significant. The Emperor has codified such significance in public ceremonies and public titles, has he not?
For Sedarias, however, genuine gratitude is not an impediment to political displays. She can be genuinely grateful and simultaneously,extremely political. She wishes to highlight Bellusdeo’s aid and import to Mellarionne. Why do you think this is?
Kaylin thought about this. After a long pause, she said, She wants to thumb her nose at the rest of the High Lords, many of whom weren’t helpful at all?
Nightshade’s silence was one of encouragement.
Bellusdeo’s a Dragon. So…her presence means that even Dragons—with whom you’ve had a war or two—
Fine, a war or three, were more helpful, or at least more of a genuine ally, than any of the Barrani.
Yes. I believe that is some part of Sedarias’s intent. That’s not going to help Mellarionne any.
Perhaps, perhaps not. She will do so as An’Mellarionne. It would be considered a very bold move—but there are those who would assume that Sedarias is confident in her own power, and they would hesitate to challenge her.
“If you are speaking about me,” Bellusdeo said, her voice almost a whisper of sound, “I must insist that you include me.”
“Well, yes, that could cause some difficulty,” the Dragon replied. “But I dislike Kaylin’s worry. She is mortal.” Squawk. “The marks of the Chosen don’t matter. She’s mortal. I may be a displaced person in these lands; I may no longer have a home or lands of my own. But I am a Dragon.”
“I’m not exactly worried about you,” Kaylin said. When one golden brow rose in response, she added, “Not about you specifically. But—there’s no way for Dragon and High Halls to combine that isn’t political. Explosively political. On your own, you can survive more than any of the rest of the cohort—or me. But you won’t be on your own. The cohort won’t abandon you.”
It was the Dragon’s turn to snort.
Kaylin reconsidered her words and chose better ones. “Most of the cohort wouldn’t abandon you. Annarion wouldn’t. Mandoran wouldn’t. I don’t believe Allaron would either, from what I’ve seen. And you know what the cohort is like. The minute one of them enters combat to save you, they’re all going to rush in. It doesn’t matter if they’re there for your sake or their friends’; they’ll be there. But this is political, and anything political is far above my pay grade.”
“You don’t seem to find this insulting.”
“I consider it one of the biggest advantages of my rank. Which is the lowest rank I could be given and still be called a Hawk.”
“One of? What’s another one?”
“I’m not in command. I don’t need to make decisions that might cost the lives of other Hawks. No matter what happens in an action, large or small, I won’t have their deaths on my hands.”
“But you don’t like being a private.”
“Well, I could be a corporal, and it would still be mostly true. And the pay is higher.”
“It’s not much higher,” a familiar voice said. It was Mandoran’s. Of course it was. Kaylin didn’t miss a step.
“I don’t suggest you try to enter the Halls of Law looking like that.”
“Like thin air.”
“Oh. That.” Mandoran caused other people some consternation as he materialized to the side of Kaylin that Bellusdeo wasn’t occupying. To be fair, most of the street didn’t notice; people always had their own problems and their own schedules. “I was going to follow Teela into the office, but Teela’s not heading there directly.”
“So you followed us?”
“Not most of the way, no. I decided to head straight here to wait, but I caught up because you’re doing the Hawk-walk.” He glanced at Bellusdeo. “For what it’s worth, I think insisting on your presence on the inside of the High Halls is suicidal.”
“Oh?” The Dragon’s voice was cool. “For who?”
Mandoran grinned. “Mostly Kaylin.”
Kaylin watched as flecks of gold appeared in Bellusdeo’s eyes. Mandoran had, once again, managed to set Bellusdeo at ease. Kaylin wondered if that was why he’d chosen to speak when he had. He never treated the Dragon with respect; had the Emperor been present for most of their spats, she wasn’t certain Mandoran wouldn’t be a pile of bleeding ash. Well, ash, because ash didn’t bleed, but still.
“You left the rest of the cohort behind?” Kaylin asked.
“We had a vote, and Helen decided it was safest to send me.”
“She was the tie-breaker?”
“Ah, no. She didn’t consider the first choice viable. But— we can all see what I see anyway, so unless there’s an attack, having more than one person here is superfluous. If Teela had been coming directly to the office, someone would have followed Teela.”
“Not you?” Bellusdeo asked.
“I had to live with Tain for a few years. Compressed into a few weeks, I might add. He’s stuffy and remarkably straightforward. Also, he hates fun.”
“He hates mess,” Kaylin said, as they approached the stairs that led into the Halls of Law.
“Define mess. No, wait, don’t. The problem with Tain—at least for me—is that Teela might actually kill us if we’re indirectly responsible for his death. He’s not like the rest of us; we can’t speak to him without shouting, and even if we can, he doesn’t listen half the time. So…it’s a lot less safe to tail Tain.”
“I imagine it’s safer to tail Tain than it is to tail Kaylin if you’re worried about Teela’s reaction,” Bellusdeo said, frowning slightly.
Michelle Sagara is an author, bookseller, and lover of literature based in Toronto. She writes fantasy novels and lives with her husband and her two children, and to her regret has no dogs. Reading is one of her life-long passions, and she is sometimes paid for her opinions about what she’s read by the venerable Magazine of Fantasy and Science Fiction. No matter how many bookshelves she buys, there is Never Enough Shelf space. Ever.