Colt Clemmons is an agent in a specialized division within the Bureau of Investigation—one that hunts down not just mobsters, but also monsters.
For reasons that are kept top secret, Colt is the only person who can resist a siren’s voice. But he’s never had a chance to test this ability. The last siren left in the world mysteriously disappeared years ago.
Then one night, with a single word, she reveals herself. It seems too good to be true.
And it is. Because nothing about this siren—her past, her powers, or her purpose—is what it seems…
*I received an e-arc from the publisher via NetGalley in exchange for an honest review*
First let me say, I really liked this book. It was sweet. Which is weird because it’s this cool concept that monster parts fuse with humans and give them abilities. So, if you are looking for a dark siren tale, this is not it. If you are looking for something more like Pirates of the Caribbean FEEL (they are not alike, there is no high seas adventure) just the FEEL, then I think you would like this. It’s the difference between Jaws and Jurassic Park. Ya feel me?
Anyways, Eris is really likable. She is kind and nice but that doesn’t mean she is weak. Kindness is not weakness. She uses her powers to stop bad people. Colt does too, he just had misplaced loyalties. Their relationship is cute. It is instalove which I don’t usually like BUT I think this was done really well.
I REALLY liked the plot. I won’t spoil anything but I liked how the human/ monster hybrids came about. I think it definitely could have been meatier and the author could have delved more into that concept BUT with a shorter book and the intended audience, it was done well. Plus the fight scenes were pretty cool. Eris and Colt’s powers work well together.
I feel like the intended audience is more like 13-15 year old girls. I also think this would be considered a clean read in terms of sex and swearing, if you are looking for that. That is just my opinion. It was a fun, fast read. Now I want to read her other books!
*Thank you to the publisher for sending me an e-arc in exchange for an honest review!*
Hocking painted such a vivid, lush world full of wonder and magic. I got major Gail Carson Levine vibes, and my inner teenage self was squealing with joy. It felt nostalgic. It felt sweet. I loved it!
I want to find out so badly about Ulla’s past! It’s so mysterious! I have a few guesses but we will see if I am right! Y’all, I also LOVED that she was written as plus sized! But I also loved that it wasn’t a big deal. It was normal. She is so cool! She is wicked smart and has a ton of courage.
I also loved the side characters! Hanna, Pan, Dagny, and Eliana! Eliana is as mysterious as Ulla. I want to know more about her as well. Pan is the sweetest ever and I for sure ship him and Ulla! Dagny is the surly roomate with a secret heart of gold. And Hanna is the bubbly young teen who wants to be a part of everything.
There are so many mysterious things that are happening in this world that I MUST know!! Like the mysterious stranger Ulla keeps running into!
The only thing I wanted a bit more of was adventure. The book took place all in one city the whole time and basically there was a bunch of information to be found while the characters talked and researched. But it looks like book two will have that adventure I am looking for and I can’t wait!
Ten Years Ago
“Tell me about it again,” I entreated—begged, really, in a small voice, small especially for a girl like me.
Mr. Tulin, on the nights he had a little too much hot tea and brandy, would tell me stories of other, less fortunate babies. One had been left out for the wolves, another drowned in the icy river. Still another was killed by an angakkuq, this time to be mashed into a paste for one of her potions.
On the other nights, he’d try to convince me there wasn’t any time for a story. But I’d beg and plead, and his eyes would glimmer—already milky with cataracts, lighting up when he spoke about monsters. I would pull the covers up to my chin, and his normally crackled baritone would go even lower, rumbling with the threat of the monsters he impersonated.
I was never sure how much he’d made up or what had been passed down to him, as he’d weave through all sorts of patchwork folklore—the monsters and heroes pieced together from the neighboring Inuit, our Norse ancestry, and especially from the troll tribe that Mr. and Mrs. Tulin belonged to—the Kanin.
But I had a favorite story, one that I asked for over and over again.
This one I loved because it was about me, and because it was true.
“Which one?” Mr. Tulin asked, feigning ignorance as he lingered at my bedroom door.
It was dark in my room, except for the cast-iron woodstove in the corner. My room had been a pantry before I was here, before Mr. Tulin had converted it into a tiny bedroom. Outside, the wind howled, and if I hadn’t been buried underneath the blankets and furs, I would’ve felt the icy drafts that went along with all that howling.
“The day you met me,” I replied with unbridled glee.
“Well, you turned out to be a big one, didn’t ya?” That’s what Mr. Tulin liked to say, particularly when I was scooping another helping of potatoes on my plate at the supper table, and
then I would sheepishly put half a portion back, under the sharp gaze of Mrs. Tulin.
But he wasn’t wrong. I was tall, thick, and pale. By the age of nine I was nearly five feet tall, towering over the kids in the little schoolhouse.
Once, I’d overheard Mrs. Tulin complaining aloud to a neighbor, saying, “I don’t know why they chose our doorstep to leave ’er on. By the size of her, her da’ must be an ogre, and her ma’ must be a nanuq. She’ll eat us out of house and home before she’s eighteen.”
After that, I tried to make myself smaller, invisible, and I made sure that I mended all my clothing and cleaned up after myself. Mrs. Tulin didn’t complain too much about me after that, but every once in a while I would hear her muttering about how they really ought to set up a proper orphanage in Iskyla, so the townsfolk weren’t stuck taking in all the abandoned strays.
I didn’t complain either, and not only because there was nobody to listen. There were a few kids at my school who served as a reminder of how much worse it could be for me. They were sketches of children, really—thin lines, stark shadows, sad eyes, just the silhouettes of orphans.
“You sure you wanna hear that one again, ayuh?” Mr. Tulin said in response to my pleas.
“If that’s the one the lil’ miss wants, then that be the one I tell.” He walked back over to the bed, limping slightly, the way he did every time the temperatures dipped this low.
Once he’d settled on the edge of the bed, his bones cracked and creaked almost as loudly as the bed itself.
“It was a night much like this—” he began.
“But darker and colder, right?” I interjected.
His bushy silver eyebrows pinched together. “Are you telling it this time?”
“No, no, you tell it.”
“Ayuh.” He nodded once. “So I will, then.”
It was a night much like this. The sun hadn’t been seen for days, hiding behind dark clouds that left even the daylight murky blue. When the wind came up, blowing fresh snow so
heavy and thick, you couldn’t hardly see an inch in front of your nose. All over, the town was battened down and quiet, waiting out the dark storm. Now, the folks in Iskyla had survived
many a winter storm, persisting through even the harshest of winters. This wasn’t the worst of the storms we’d faced, but there was something different about this one. Along with the cold and the dark, it brought with it a strange feeling in the air.
“And a stranger,” I interjected again, unable to help myself.
Mr. Tulin didn’t chastise me this time. He just winked and said, “Ayuh, and a stranger.”
The old missus, Hilde, and I were hunkered down in front of the fireplace, listening to the wind rattling the house, when a knock came at the door.
Hilde—who scoffed whenever Tapeesa the angakkuq spoke of the spirits and monsters—shrieked at me when I got up to answer the door. “Whaddya think you’re doing, Oskar?”
“We’re still an inn, aren’t we?” I paused before I reached the door to look back at my wife, who sat in her old rocker, clutching her knitting to her chest.
Well, of course we were. Her father had opened the inn years ago, back when the mines first opened and we had a brief bout of tourism from humans who got lost on their way to the mines.
But that had long dried up by the time Hilde inherited it. We only had a dozen or so customers every year, mostly Inuit or visiting trolls, but whenever I suggested we close up and move south, Hilde would pitch a fit, reminding me that her family settled Iskyla, and she was settled here until she died.
“Course we’re an inn, but we’re closed,” Hilde said. “The storm’s too bad to open.”
Again the knocking came at the door, pounding harder this time.
“We got all our rooms empty, Hilde!” I argued. “Anyone out in this storm needs a place to stay, and we won’t have to do much for ’em.”
“But you don’t know who—or what—is at the door,”
Hilde stammered, lowering her voice as if it would carry over the howling wind and out the door to whoever waited on our stoop. “No human or troll has any sense being out in a storm like this.”
“Well, someone has, and I aim to find out who it is.”
I headed toward the door, Hilde still spouting her hushed protests, but my mind had been made up. I wasn’t about to let anyone freeze to death outside our house, not when we had ample firewood and room to keep them warm.
When I opened the door, there she stood. The tallest woman I ever saw. She was buried under layers of fabric and fur, looking so much like a giant grizzly bear that Hilde let out a scream.
Then the woman pushed back her hood, letting us see her face. Ice and snow had frozen to her eyebrows and eyelashes, and her short wild hair nearly matched the grizzly fur. She wasn’t much to look at, with a broad face and a jagged scar across her ruddy cheeks, but she made up for it with her size.
She had to duck to come inside, ever mindful of the large bag she carried on her back.
“Don’t bother coming in,” Hilde called at the woman from where she sat angrily rocking. “We’re closed.”
“Please,” the giant woman begged, and then she quickly slipped off her gloves and fumbled in her pockets. “Please, I have money. I’ll give you all I have. I only need a place to stay for the night.”
When she went for her money, she’d pushed back her cloaks enough that I could see the dagger holstered on her hip. The fire glinted off the amber stone in the hilt, the dark
bronze handle carved into a trio of vultures.
It was the symbol of the Omte, and that was a weapon for a warrior. Here was this giant troll woman, with supernatural strength and a soldier’s training. She could’ve killed me and Hilde right there, taken everything we had, but instead she pleaded and offered us all she had.
“Since we’re closed, I won’t be taking any of your money.” I waved it away. “You need sanctuary from the storm, and I’m happy to give it to you.”
“Thank you.” The woman smiled, with tears in her eyes, and they sparkled in the light like the amber gemstone on her dagger.
Hilde huffed, but she didn’t say anything more. The woman herself didn’t say much either, not as I showed her up to her room and where the extra blankets were.
“Is there anything more you’ll be needing?” I asked before I left her alone.
“Quiet rest,” she replied with a weak smile.
“Well, you can always holler at me if you need anything. I’m Oskar.”
She hesitated a second before saying, “Call me Orra.”
“It’s nice to meet you, Orra, and I hope you enjoy your stay with us.”
She smiled again, then she shut the door. That was the last I ever saw of her.
All through the night, she made not a peep, which upset Hilde even more, since it gave her nothing to complain about. I slept soundly, but Hilde tossed and turned, certain that Orra would hurt us.
By the time morning came, the wind had stopped and the sun had broken through the clouds for the first time in days. I went up to check on Orra and see if she needed anything, and
I discovered her gone.
She rode in on the back of the dark storm, and she left before the sun.
Her room had been left empty—except for a little tiny baby, wrapped in a blanket, sleeping in the middle of the bed. The babe couldn’t be more than a few weeks old, but already had a thick head of wild blond hair. When I picked her up, the baby mewled, but didn’t open her eyes.
Not until I said, “Ullaakuut,”—a good-morning greeting.
Then her big amber eyes opened. She smiled up at me, and it was like the sun after the storm.
“That’s how we met.” I beamed, and he smiled back down at me. Mrs. Tulin wasn’t sure if they would keep me, so she wouldn’t let him name me yet, but then they called me Ullaakuut
until it stuck.
“It was quite the introduction,” he agreed with a chuckle. “Oskar!” Mrs. Tulin shouted from the other room. “The fire’s gone cold!”
“I’ll be right down!” he yelled over his shoulder before turning back to me. “Well, you’ve had your story now, and Hilde needs me. You best be getting to sleep now. Good night, Ulla.”
“Good night.” I settled back into the bed, and it wasn’t until he was at the door that I mustered the courage to ask him the question that burned on the tip of my tongue. “How come my mom left me here?”
“I can’t say that I understand it,” he said with a heavy sigh. “But she’d have to have got a mighty good reason to be traveling in that kinda storm, especially with a newborn. She was an Omte warrior, and I don’t know what kind of monsters she had to face down on her way to our doorstep. But she musta known that here you’d be safe.”
“Do you think she’ll come back?” I asked.
His lips pressed into a thin line. “I can’t say, lil’ miss. But it’s not the kind of thing I would hang my hat on. And it’s nothing that you should concern yourself with. You have a home here as long as you need it, and now it’s time for bed.”
Emma sprinted into my room first, clutching her older brother’s slingshot in her pudgy hands, and down the hall Liam was already yelling for me.
“Ulla! Emma keeps taking my stuff!” Liam rushed into my room in a huff, little Niko toddling behind him.
My bedroom was a maze of cardboard boxes—all of my worldly possessions carefully packed and labeled for my move in six weeks—and Emma darted between them to escape Liam’s grasp.
“He said he was going to shoot fairies in the garden!” Emma insisted vehemently.
Liam rolled his eyes and brushed his thick tangles of curls off his forehead. “Don’t be such a dumb baby. You know there’s no such things as fairies.”
“Don’t call your sister dumb,” I admonished him, which only caused him to huff even louder. For only being seven years old, Liam already had quite the flair for the dramatic. “You know, you’re going to have to learn how to get along with your sister on your own. I’m not going to be around to get in the middle of your squabbles.”
“You don’t have to tell me that,” Liam replied sourly. He stared down at the wood floor, letting his hair fall into his eyes. “She’s the one that always starts it.”
“I did not!” Emma shouted back. “I only wanted to protect the fairies!”
“Emma, will you give Liam back his slingshot if he promises not to kill anything with it?” I asked her. She seemed to consider this for a moment, wrinkling up her little freckled nose, but finally she nodded yes.
“I was never really going to kill anything anyway,” he said.
“Promise!” Emma insisted.
“Fine. I promise I won’t kill anything with my slingshot.”
He held his hand out to her, and she reluctantly handed it back to him. With that, he dashed out of the room, and Emma raced after him.
Niko, meanwhile, had no interest in the argument, and instead made his way over to me. I pulled him into my arms, relishing the way his soft curls felt tickling my chin as I held him, and breathing in his little-boy scent—the summer sun on his skin and sugared milk from his breakfast.
“How are you doing this morning, my sweet boy?” I asked him softly. He didn’t answer, but Niko rarely did. Instead, he curled up more into me and began sucking his thumb.
I know I shouldn’t pick favorites, but Niko would be the one I missed the most. Sandwiched between Emma and the twins, he was quiet and easily overlooked. Whenever I was having a bad day or feeling lonely, I could always count on him for cuddles and hugs that somehow managed to erase all the bad—at least for a few moments.
But now I could only smile at him and swallow down the lump in my throat.
This—all the scraped knees and runny noses, the giggles and tantrums, all the love and chaos and constant noise of a house full of children—had been my life for the past five years. Which was quite the contrast to the frozen isolation of the first fourteen and a half years of my life.
Five years ago, a Kanin tracker named Bryn Aven had been on an investigation that brought her to Iskyla in central Canada, and when I met her, I knew it was my chance out of that town. Maybe it was because of the way she came in, on the back of a storm, or because she was a half-breed. She was also blond like me, and that wasn’t something I saw often in a town populated by trolls and a handful of the native humans of the area, the Inuit.
Most trolls, especially from the three more populous tribes—the Kanin, Trylle, and Vittra—were
of a darker complexion. Their skin ran the gamut of medium brown shades, and their hair was dark brown and black, with eyes that matched. The Kanin and the Trylle looked like attractive
humans, and the Vittra often did as well.
The Omte had a slightly lighter complexion than that, and they were also more prone to gigantism and physical deformities, most notably in their large population of ogres. With
wild blond hair and blue eyes, the Skojare were the fairest, and they had a tendency to be born with gills, attuned to their aquatic lifestyle.
Each of the tribes even had different skill sets and extraordinary abilities. All of the kingdoms had some mild psychokinetic talents, with the Trylle being the most powerful. The Vittra and the Omte were known for their physical strength and ability to heal, while the Kanin had the skin-color- changing ability to blend in with their surroundings, much like intense chameleons.
Iskyla was officially a Kanin town, and the Inuit coloring wasn’t much different from that of the Kanin. Most everyone around me had a shock of dark hair and symmetrical features. My noticeable differences had always made me an easy target growing up, and seeing the blond-haired tracker Bryn, I recognized a kindred spirit.
Or maybe it was because I could tell she was running from something, and I had been itching to run since as soon as I could walk. The Tulins had been good to me—or as good as an elderly couple who had never wanted kids could be when a baby is dropped on them. But Mrs. Tulin had always made it clear that I would be on my own as soon as I was ready, and when I was fourteen I was sure I was ready.
Fortunately, Bryn had been smart enough—and kind enough—not to leave me to fend for myself. She brought me to Förening, the Trylle capital in Minnesota, and found me a job and a place to stay with friends of hers.
When I had started as a live-in nanny working for Finn and Mia Holmes, they’d only had two children with another on the way, but already their cottage was rather cramped. Shortly after I moved in, Emma came along—followed by a promotion for Finn to the head of the Trylle royal guard—and Mia insisted a house upgrade was long overdue.
This grand little house, nestled in the bluffs along the Mississippi River—cozy but clean and bright—had enough room for us all—Finn, Mia, Hanna, Liam, Emma, Niko, Lissa, Luna, and me. As of a few months ago, we’d even managed to fit in Finn’s mother, Annali, who had decided to move in with them after her husband passed away last fall.
This home had been my home for years, and really, this family had been my family too. They welcomed me with open arms. I grew to love them, and they loved me. Here, I felt like I belonged and mattered in a way that I had never been able to in Iskyla.
I was happy with them. But now I was leaving all of this behind.
1. There’s been so much excitement and anticipation for more books in the world of the Trylle and Kanin. What made you decide to revisit those worlds now in The Omte Origins trilogy?
I knew as soon as I wrote Ulla as a small character in Crystal Kingdom (the final book of the Kanin Chronicles) that I was going to write a trilogy about her, but it was just a matter of when. After the Kanin Chronicles, I wanted to take a little break from that world and visit others – which I did with Freeks and the Valkyrie duology. By then, I was so ready to dive back into the world and answer some lingering questions I had left for the Trylle and Kanin.
2. Why make this the final trilogy?
With the Omte Origins, I feel like I’ve been able to say everything I want to about the worlds. Through the three trilogies, I spent time with all five tribes. Wendy’s mother is Trylle and her father is Vittra, and her story has her visiting both kingdoms. Bryn’s mother is Skojare and her father is Kanin, and her trilogy shows life in the Kanin and Skojare cities, as well as travelling to others beyond that. I won’t say who exactly Ulla’s parents are (that would be spoiling the story) but her journey takes her through the troll kingdoms, with interesting detours through the Omte, Trylle, and Kanin tribes.
3. What are the most challenging aspects of writing a new trilogy that can be read independently, but is set in a world–the Trylle and Kanin–that you’ve written about before?
The hardest challenge is getting new readers caught up with the world and the lingo without feeling repetitive and boring to longtime fans of the series. I try use this an opportunity to show characters and situations from different angles. The Wendy the audience meets at the beginning of Switched is vastly different Wendy than the that Ulla knows in the Omte Origins. So for new readers, they get introduced Wendy as she currently is, and for repeat readers, they can see who Wendy has become and who she appears to be through the eyes of an average citizen with Ulla.
4. What’s the most fascinating thing you researched while writing The Lost City?
With the Omte Origins, I really looked back at the course of troll history, and their past has dovetailed with the Vikings and other artic peoples. So I did a lot research on early Vikings and indigenous arctic people, primarily the Inuit and the Sami. My favorite parts were reading their folklore. I even got an Inuit cookbook, and I attempted to make Bannock (a traditional Inuit bread). It did not turn out well, but I blame that entirely on my cooking skills (or lack thereof) and not the recipe.
5. The “Glossary” and “Tribal Facts” sections at the end of the book are fascinating and really help create a layered, fleshed out world. Was putting those together as much fun as writing the novel?
It was so much fun. It’s been over ten years and nine books (and several short stories), so I have spent a lot time of thinking and doing world-building. I honestly have enough information for a history book about the worlds of the Trylle, but I don’t know there’s a demand for fictional textbooks. The Tribal Facts were actually one of the first things I wrote for the Omte series, because I went through and get myself reacquainted and made sure I had all my important facts straight.
6. Was your writing routine affected by the stay-at-home orders due to the pandemic?
My routine itself hasn’t been too affected, since I write from home, but I would say that the stress has a negative impact on me, the way it has for many of us that work in creative fields – or any field at all, honestly. My husband has been working from home, and my stepson had been doing long distance learning before summer break, but that hasn’t really changed too much for me. I usually work after they go to bed and stay up late into the early morning hours.
7. Were there any favorite songs or music you listened to while writing this book?
Yes, definitely! I listen to so much music when I write, and I even have curated playlists to go along with my books on Spotify. open.spotify.com/user/127756215 Some of my favorite songs to write to were “Ella” by Myrkur, “Wild World” by Cat Stevens, and “Delicate” by Taylor Swift. I also listened to a lot of Wardruna, who are this Norwegian band who make traditional Nordic music with historically accurate instruments. For the soundtrack to the Omte Origins, I wanted it be a blend of traditional Nordic music, mellow seventies folk to go with the trolls delayed pop culture tastes, and pop music that gets through with the trendier younger generations of trolls.
8. Do you think the music you listen to has an influence on the stories? Or do the stories influence the music you choose?
I think it’s both, honestly. When I’m picking songs for the playlist, I definitely choose them based on the kind of emotions I want to feel and the tone I want to set for whatever I’m writing. Sometimes I’ll put particularly romantic songs on repeat when writing a love scene or an angry fast-paced instrumental for a fight scene.
9. What books or authors are you reading or excited to read lately?
I’m super excited about Faith: Taking Flight by Julie Murphy. It comes out the same day as The Lost City, and it’s about a plus-size teenage girl who discovers that she can fly. I recently read A Song of Wraiths and Ruin by Rosanne Brown, and I’m counting down the days until The Gilded Ones by Namina Forna and The Project by Courtney Summers.
10. Any hints you can share about what’s coming next after The Omte Origins Trilogy?
I’m currently working on a stand-alone fantasy inspired by Greek mythology, but I don’t know when it will be out yet. I’ve got ideas for dozens of projects after that, and I’m working hard (and having fun) getting through them all.
AMANDA HOCKING is the author of over twenty young adult novels, including the New York Times bestselling Trylle Trilogy and Kanin Chronicles. Her love of pop culture and all things paranormal influence her writing. She spends her time in Minnesota, taking care of her menagerie of pets and working on her next book.
From the founding member of We Need Diverse Books comes a powerful novel about identity, betrayal, and the meaning of family.
By day, seventeen-year-old Jo Kuan works as a lady’s maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, “Dear Miss Sweetie.” When her column becomes wildly popular, she uses the power of the pen to address some of society’s ills, but she’s not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta’s most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light. With prose that is witty, insightful, and at times heartbreaking, Stacey Lee masterfully crafts an extraordinary social drama set in the New South.
The Downstairs Girl was picked for one of my book clubs and I am so happy it was! I don’t know why I am always surprised that I liked a historical fiction book. I say that every time, so maybe, just maybe I just like historical fiction and need to read more. I keep thinking they might be boring but they aren’t!
Jo Kuan was surprisingly relatable in the way she fought for her rights. She was still kind (key word right there) to those around her but she didn’t stop fighting for justice. She was smart, bold, and witty with how she went about things.
This book does not go very deep into the injustices that minorities faced in the 1890’s. It is more of a light paced read. NOT making light of things, I just mean the read was light. I think this would be a great book for teens to read to dip their toe in the waters of injustice/ historical fiction.
With that being said, I did want a little more conclusion than what we got. There were some twists and turns; some I saw coming, some I didn’t. I really wanted to see what was going to happen with Nathan and Jo, the newspaper, and Jo’s friends and family! I would like a squeal please!
This ended being a surprisingly sweet read! I really enjoyed it!
For fans of The Alice Network and The Lost Girls of Paris comes a thrilling standalone by New York Times bestselling author Karen Robards about a celebrated singer in WWII occupied France who joins the Resistance to save her estranged family from being killed in a German prison.
In Occupied France, the Resistance trembles on the brink of destruction. Its operatives, its secrets, its plans, all will be revealed. One of its leaders, wealthy aristocrat Baron Paul de Rocheford, has been killed in a raid and the surviving members of his cell, including his wife the elegant Baronness Lillian de Rocheford, have been arrested and transported to Germany for interrogation and, inevitably, execution.
Captain Max Ryan, British SOE, is given the job of penetrating the impregnable German prison where the Baroness and the remnants of the cell are being held and tortured. If they can’t be rescued he must kill them before they can give up their secrets.
Max is in Paris, currently living under a cover identity as a show business impresario whose star attraction is Genevieve Dumont. Young, beautiful Genevieve is the toast of Europe, an icon of the glittering entertainment world that the Nazis celebrate so that the arts can be seen to be thriving in the occupied territories under their rule.
What no one knows about Genevieve is that she is Lillian and Paul de Rocheford’s younger daughter. Her feelings toward her family are bitter since they were estranged twelve years ago. But when she finds out from Max just what his new assignment entails, old, long-buried feelings are rekindled and she knows that no matter what she can’t allow her mother to be killed, not by the Nazis and not by Max. She secretly establishes contact with those in the Resistance who can help her. Through them she is able to contact her sister Emmy, and the sisters put aside their estrangement to work together to rescue their mother.
It all hinges on a command performance that Genevieve is to give for a Gestapo General in the Bavarian town where her mother and the others are imprisoned. While Genevieve sings and the show goes on, a daring rescue is underway that involves terrible danger, heartbreaking choices, and the realization that some ties, like the love between a mother and her daughters and between sisters, are forever.
*Thank you to the publisher for sending me an e-arc via Netgalley in exchange for an honest review*
I LOVE me some Asian Fantasy, so I was really excited to read this one!
It started off with a really strong start. It started off with Sirscha getting back from a mission and talking with her mentor about being this really cool shadow assassin then meeting up with her best friend then you come to find out they ride drakes. So freaking cool. I was so invested from the beginning! Sirscha has a mysterious past, she’s has crazy fighting skills, and she’s sassy. I liked her.
However, the story just didn’t get really far after that. It felt like being on a roller coaster and anticipating the drop but it never comes. She had plenty of adventure but they were all short trips where nothing actually happened. Until the very end. Like the last 5% of the book. Then it ends on a cliffhanger. I liked that part but the majority of the book was a bit lackluster. The beginning and the end were intense but the whole middle was just not.
Things I liked. There is no romance in this book. And that’s totally fine! It stands completely on it’s own! However, I am totally shipping Sirscha and Theyen. Theyen was my favorite. He is mysterious and brooding and sassy. More of him please! I also really liked the magic system. It was very Avatar-y except add in shadow magic and soul magic. It was so cool!
I do want to read book 2. I think this series has a lot of promise so I am excited about that. I also liked the authors writing!
I am so excited to be on the blog tour for Red Sky Over Hawaii! I am trying to get my hands on aaalll the Hawaiian books since I am Hawaiian! Thank you so much to MIRA Books for having me on the tour!I can’t wait to dig into this one!
For fans of Chanel Cleeton and Beatriz Williams, RED SKY OVER HAWAII is historical women’s fiction set in the islands during WWII. It’s the story of a woman who has to put her safety and her heart on the line when she becomes the unexpected guardian of a misfit group and decides to hide with them in a secret home in the forest on Kilauea Volcano.
The attack on Pearl Harbor changes everything for Lana Hitchcock. Arriving home on the Big Island too late to reconcile with her estranged father, all she can do is untangle the clues of his legacy, which lead to a secret property in the forest on Kilauea Volcano. America has been drawn into WWII, and amid rumors of impending invasion, the army places the islands under martial law. When they start taking away neighbors as possible sympathizers, Lana finds herself suddenly guardian to two girls, as well as accomplice to an old family friend who is Japanese, along with his son. In a heartbeat, she makes the decision to go into hiding with them all.
The hideaway house is not what Lana expected, revealing its secrets slowly, and things become even more complicated by the interest of Major Grant Bailey, a soldier from the nearby internment camp. Lana is drawn to him, too, but needs to protect her little group. With a little help from the magic on the volcano, Lana finds she can open her bruised heart to the children–and maybe to Grant.
A lush and evocative novel about doing what is right against the odds, following your heart, and what makes a family.
December 8, 1941
WITH EVERY MILE CLOSER TO VOLCANO, THE FOG thickened, until they were driving through a forest of white gauze with the occasional branch showing through. Lana considered turning the truck around no less than forty-six times. Going back to Hilo would have been the prudent thing to do, but this was not a time for prudence. Of that she was sure. She slowed the Chevy to a crawl and checked the rearview mirror. The cage with the geese was now invisible, and she could barely make out the dog’s big black spots.
Maybe the fog would be to their advantage.
“I don’t like it here at all,” said Coco, who was smashed up next to Lana, scrawny arms folded in protest. The child had to almost yell to be heard above the chug of the motor.
Lana grabbed a blanket from the floor. “Put this over you. It should help.”
Coco shook her head. “I’m not cold. I want to go home. Can you please take us back?”
Goose bumps had formed up and down her limbs, but she was so stubborn that she had refused to put on a jacket. True, Hilo was insufferably hot, but where they were headed—four thousand feet up the mountain—the air was cold and damp and flimsy.
It had been over ten years since Lana had set foot at Kı¯lauea. Never would she have guessed to be returning under these circumstances.
Marie chimed in. “We can’t go back now, sis. And anyway, there’s no one to go back to at the moment.”
Poor Coco trembled. Lana wished she could hug the girl and tell her everything was going to be okay. But that would be a lie. Things were liable to get a whole lot worse before they got any better.
“Sorry, honey. I wish things were different, but right now you two are my priority. Once we get to the house, we can make a plan,” Lana said.
“But you don’t even know where it is,” Coco whined.
“I have a good idea.”
More like a vague notion.
“What if we don’t find it by dark? Are they going to shoot us?” Coco said.
Marie put her arm around Coco and pulled her in. “Turn off that little overactive imagination of yours. No one is going to shoot us,” she said, but threw a questioning glance Lana’s way.
“We’ll be fine,” Lana said, wishing she believed that.
The girls were not the real problem here. Of greater concern was what they had hidden in the back of the truck. Curfew was six o’clock, but people had been ordered to stay off the roads unless their travel was essential to the war. Lana hadn’t told the girls that. Driving up here was a huge risk, but she had invented a story she hoped and prayed would let them get through if anyone stopped them. The thought of a checkpoint caused her palms to break out in sweat, despite the icy air blowing in through the cracks in the floorboard.
On a good day, the road from Hilo to Volcano would take about an hour and a half. Today was not a good day. Every so often they hit a rut the size of a whiskey barrel that bounced her head straight into the roof. The continuous drizzle of the rain forest had undermined all attempts at smooth roads here. At times the ride was reminiscent of the plane ride from Honolulu. Exactly two days ago, but felt more like a lifetime.
Lana’s main worry was what they would encounter once in the vicinity of the national park entrance. With the Kı¯lauea military camp nearby, there were bound to be soldiers and roadblocks in the area. She had so many questions for her father and felt a mixed ache of sadness and resentment that he was not here to answer them. How were you so sure the Japanese were coming? Why the volcano, of all places? How are we going to survive up here? Why didn’t you call me sooner?
Coco seemed to settle down, leaning her nut-brown ringlets against her sister’s shoulder and closing her eyes. There was something comforting in the roar of the engine and the jostle of the truck. With the whiteout it was hard to tell where they were, but by all estimates they should be arriving soon.
Lana was dreaming of a cup of hot coffee when Coco sat upright and said, “I have to go tinkle.”
“Tinkle?” Lana asked.
Marie said, “She means she has to go to the bathroom.”
They drove until they found a grassy shoulder, and Lana pulled the truck aside, though they could have stopped in the middle of the road. They had met only one other vehicle the whole way, a police car that fortunately had passed by.
The rain had let up, and they all climbed out. It was like walking through a cloud, and the air smelled metallic and faintly lemony from the eucalyptus that lined the road. Lana went to check on Sailor. The dog stood up and whined, yanking on the rope around her neck, straining to be pet. Poor thing was drenched and shaking. Lana had wanted to leave her behind with a neighbor, but Coco had put up such a fuss, throwing herself onto her bed and wailing and punching the pillow, that Lana relented. Caring for the girls would be hard enough, but a hundred-and-twenty-pound dog?
“Just a bathroom stop. Is everyone okay back here?” she asked in a hushed voice. Two low grunts came from under the tarp. “We should be there soon. Remember, be still and don’t make a sound if we stop again.”
As if on cue, one of the hidden passengers started a coughing fit, shaking the whole tarp. She wondered how wise it was to subject him to this long and chilly ride, and if it might be the death of him. But the alternative was worse.
“Deep breaths…you can do it,” Lana said.
Coco showed up and hopped onto the back tire. “I think we should put Sailor inside with us. She looks miserable.”
“Whose lap do you propose she sits on?” Lana said.
Sailor was as tall as a small horse, but half as wide.
“I can sit in the back of the truck and she can come up here, then,” Coco said in all seriousness.
“Not in those clothes you won’t. We don’t need you catching pneumonia on us.”
They started off again, and ten seconds down the road, Sailor started howling at the top of her lungs. Lana felt herself on the verge of unraveling. The last thing they needed was one extra ounce of attention. The whole idea of coming up here was preposterous when she thought about it. At the time it had seemed like a good idea, but now she wondered at her sanity.
“What is wrong with that dog?” Lana said, annoyed.
Coco turned around, and Lana felt her hot breath against her arm. In the smallest of voices, she said, “Sailor is scared.”
Lana felt her heart crack. “Oh, honey, we’re all a bit scared.
It’s perfectly normal under the circumstances. But I promise you this—I will do everything in my power to keep you out of harm’s way.”
“But you hardly know us,” Coco said.
“My father knew you, and you knew him, right?” Lana said. “And remember, if anyone asks, we tell them our story.”
They had rehearsed it many times already, but with kids one could never be sure. Not that Lana had much experience with kids. With none of her own and no nieces or nephews in the islands, she felt the lack palpably, smack in the center of her chest. There had been a time when she saw children in her future, but that dream had come and gone and left her sitting on the curb with a jarful of tears.
Her mind immediately went to Buck. Strange how your future with a person could veer so far off course from how you’d originally pictured it. How the one person you swore you would have and hold could end up wreaking havoc on your heart instead. She blinked the thought away.
As they neared Volcano, the fog remained like a curtain, but the air around them brightened. Lana knew from all her time up here as a young girl that the trees got smaller as the elevation rose, and the terrain changed from towering eucalyptus and fields of yellow-and-white ginger to a more cindery terrain covered with red-blossomed ‘ohi‘a trees, and prehistoriclooking ha¯pu’u ferns and the crawling uluhe. At one time in her life, this had been one of her happiest places. Coco reached for the letter on the dashboard and began reading it for the fourth time. “Coco Hitchcock. It sounds funny.” The paper was already getting worn.
Marie swiped it out of her hands. “You’re going to ruin that. Give it to me.”
Where Coco was whip thin and dark and spirited—a nice way of putting it—Marie was blonde and full-bodied and sweet as coconut taffy. But Lana could tell even Marie’s patience was wearing thin.
“Mrs. Hitchcock said we need to memorize our new names or we’ll be shot.”
Lana said as calmly as she could, “I never said anything of the sort. And, Coco, you have to get used to calling me Aunt Lana for now. Both of you do.”
“And stop talking about getting shot,” Marie added, rolling her eyes.
If they could all just hold it together a little bit longer.
There was sweat pooling between her breasts and behind her kneecaps. Lying was not her strong suit, and she was hoping that, by some strange miracle, they could sail on through without anyone stopping them. She rolled her window down a couple of inches for a burst of fresh air. “We’re just about here. So if we get stopped, let me do the talking. Speak only if someone asks you a direct question, okay?”
Neither girl said anything; they both just nodded. Lana could almost see the fear condensing on the windshield. And pretty soon little Coco started sniffling. Lana would have said something to comfort her, but her mind was void of words. Next the sniffles turned into heaving sobs big enough to break the poor girl in half. Marie rubbed her hand up and down Coco’s back in a warm, smooth circle.
“You can cry when we get there, but no tears now,” she said.
Sara Ackerman is the USA Today bestselling author of The Lieutenant’s Nurse and Island of Sweet Pies and Soldiers. Born and raised in Hawaii, she studied journalism and earned graduate degrees in psychology and Chinese medicine. She blames Hawaii for her addiction to writing, and sees no end to its untapped stories. When she’s not writing or teaching, you’ll find her in the mountains or in the ocean. She currently lives on the Big Island with her boyfriend and a houseful of bossy animals. Find out more about Sara and her books at http://www.ackermanbooks.com and follow her on Instagram @saraackermanbooks and on FB @ackermanbooks.
Les Misérables meets Six of Crows in this page-turning adventure as a young thief finds herself going head to head with leaders of Paris’s criminal underground in the wake of the French Revolution.
In the violent urban jungle of an alternate 1828 Paris, the French Revolution has failed and the city is divided between merciless royalty and nine underworld criminal guilds, known as the Court of Miracles. Eponine (Nina) Thénardier is a talented cat burglar and member of the Thieves Guild. Nina’s life is midnight robberies, avoiding her father’s fists, and watching over her naïve adopted sister, Cosette (Ettie). When Ettie attracts the eye of the Tiger–the ruthless lord of the Guild of Flesh–Nina is caught in a desperate race to keep the younger girl safe. Her vow takes her from the city’s dark underbelly to the glittering court of Louis XVII. And it also forces Nina to make a terrible choice–protect Ettie and set off a brutal war between the guilds,or forever lose her sister to the Tiger.
*Thank you to the publisher and Fantastic Flying Book Club for the e-arc of this book in exchange for an honest review!*
This book actually got me out of a reading slump, so doubly thank you!
I was really excited to read a Les Mis / Jungle Book retelling and this did not dissapoint! Like, what a freaking cool mash up!! I have always loved Eponine. She is my favorite character, so when I heard this book was also about her, I jumped at the chance to review it!
Eponine is a spit fire. She is on a mission to save her sister (then sisters), from an evil man. I loved her personality. She is fiercely protective but she also knows her own limits. I really liked that she wasn’t a can-do-it-all girl. She was humble enough to ask for help. BUT she also knew she was the best tactician. I loved her story and am nervous it still might end up like in the real Les Mis! Dear Grant, please don’t! Please give Eponine the ending she deserves!
I really enjoyed the world building as well. I loved there were 9 different guilds all with their own purpose. There are definitely some gray areas morally and I loved it. I did however want to see a bit more of the thieves guild where Nina (Eponine) is from. She was mostly on the streets or staying with another guild.
I liked the side characters. Montparnasse of the Guild of Assassins was my favorite. He was soooo mysterious and I totally ship him and Nina. In fact, I would love more on his story! And Ettie was so sweet! I loved how her and Nina interacted together.
What I didn’t like: this would have been a 5 star read for me, HOWEVER, I struggled with the flow of the book. It was choppy. It would be something like this: I did this. Then I did this. *Time Skip*. I am doing this now. Let me put it this way, the actual writing was quite good, descriptive, I could imagine everything, it was the execution that was choppy. And I couldn’t figure out the love quad going on. Nina had 3 boys after her? And she seemed like she couldn’t make up her mind. Like I said, I am hoping for Montparnasse!
This book was still very entertaining, y’all know I love to be entertained, and I can’t wait for book 2!
“Do not cry for me, I am already dead.” “No, not dead, the dead at least are free.”
“Our mother the City is not a merciful mother,’ she says as she gathers my hair in one hand.”
“Let us go,” says Monteparnasse. “The Dead are calling.”
She takes my hand, and the gesture is a powerful declaration of sorrow, of forgiveness, of love, threads of silver and gold wrapping around us…
Something inside her draws people to her. Innocence, a kindness that could swallow the city whole if she let it.
Kester Grant is a British-Mauritian writer of color. She was born in London, grew up between the UK, Democratic Republic of Congo, and the tropical island paradise of Mauritius. As a wanton nomad she and her husband are unsure which country they currently reside in but they can generally be found surrounded by their fiendish pack of cats and dogs.
Just a quick post to tell y’all that Hope*Writers is open until midnight tonight (Monday, May 25 2020) for a $1 week trial! If you want to check things out but not sure if it’s for you, give it a try this week!Click HERE!
Today is the last day to sign up for Hope*Writers! This is such a great writing opportunity where they help writers with the writing process, as well as with the publishing process! You can get great tips from best selling authors, AND one-on-one coaching with those in the industry! Check out the webinar to see what they are about,HERE.
This year, they are especially focused on writing motivation because of this crazy time! They are truly such a great and helpful resource! Sign up HEREto join!
Hey y’all! It’s that time of year again! This only comes around a couple times so I’m so excited to bring you Hope*Writers sign ups and writer’s opportunities!
Links for sign-ups and freebies below!
First of all, what is Hope*Writers?!
We write meaningful words without sacrificing our meaningful life.
We are still real writers even if we never write a book.
We build benches, not platforms.
We know how to hustle without losing our heart.
We champion the success of other writers.
We don’t wait to write until we feel qualified, picked, or inspired.
We believe we have a message to share and a reader to serve.
We refuse to take our work or ourselves too seriously.
We understand fear is normal, but courage gets the final say.
We celebrate progress and take our next right step in love.
Who is struggling with writing?
Hope*Writers support team spoke with 80+ members after the COVID-19 social isolation period hit and recorded their experiences. Everyone is going through a season of loss.
The 5 major areas of loss writers are experiencing right now:
Loss of Routine ● Completely disrupted schedule means no time to write or writing can’t happen during my usual time. ● How do I start over again and find my writing rhythm? ● How do I do this when I’ve lost my quiet space and routine? ● Where and how do I establish a rhythm?
Loss of Focus ● Brain fog. ● People are feeling more stressed and that is leading to an inability to focus, be productive, and keep motivated. ● Loss focus of who they are writing for and about with all that is going on. ● Stuck in a loop of non-action.
Loss of Confidence ● Imposter Syndrome ● Who am I to address all these hurting people? ● Someone more accomplished should be doing this. ● They want to provide hope but don’t want to add to the noise.
Loss of Connection ● Literal isolation. ● Feels untethered. ● Can’t go to the writing conference. ● Can’t meet up with writer friends.
Loss of Income ● May have lost day job or furloughed. ● Added pressure to provide for their families. ● Makes writing feel that much less important, like a “want” and not a “need” right now. ● Writer goes from dreaming to “How dare I dream” ● Guilt
If any of this is you, guess what? There is hope!
While Hope*Writers doesn’t offer a quick plan for “making it” they do simplify what might feel complex. A determined writing path helps to cut through the brain fog and re-establish a routine. A supportive community to help close the gap of isolation. A resource library to make progress towards writing goals.
The world needs your hope-filled words, now more than ever!
Enrollment Open Week – Live Events Monday, May 18 – Webinar (2pm, 8pm) Wednesday, May 20 – 17 Ideas Webinar (2x) Friday May, 22 – Cart Closes (11:59 PM EST)
May 2020 Webinar Reimagine 2020 Discover your writing rhythm, uncover your creative call, and finally bring your writing to life in only 20 minutes a day. You are not behind and you are not alone. The world needs your hope-filled words now more than ever and we can help you share them. It’s never too late to start writing again. We’re saving you a seat! — discover what’s really keeping you from finding your writing rhythm — uncover your giftedness and your unique creative calling — design a simple plan for progress in only 20 minutes a day